Loco Dice is a man with a huge reputation and if history tells us anything it’s that he knows how to throw one hell of a party. Renowned for his extensive sets and unrivalled energy the March bank holiday weekend saw his Desolat family take over London’s venue, Electric Brixton. After the original Sunday rapidly sold out an additional date was quickly added giving birth to Saturdays line-up; Hector, Martin Buttrich, Robert Dietz, Guti and Loco Dice.
Walking through Brixton you could instantly feel the energy in the air, a wonderful variety of cultures and nationalities were descending upon Electric Brixton for a night of sensational underground house music. We were not disappointed.
Now firstly, I must admit Electric Brixton has to be taken with a pinch of salt, it is not an exclusive clubbing venue so the acoustics are never going to be fantastic for electronic music. Also if you are a fan of warehouse raves, this probably isn’t going to do it for you. I on the other hand quite like it, it’s nice to have diverse clubbing spaces. What it does offer is two tiers much like a theatre, adding a unique feel to the clubbing experience and its raised stage provides great opportunity for some fascinating production. Everything about the night was accomplished with precision and the execution was flawless. Both the entry and cloakroom queues were fast and controlled and bar service was great considering it was a sell out event. Even the venues narrow corridors which can quickly get overcrowded were quick to be resolved by the door staff. Over the years I have seen various showcases held here, including both Cocoon and Cadenza but this has been hands down my favourite.
Hector opened the night and perfectly demonstrated how a warm up set should be performed. It seems to be something of a lost art nowadays with huge line-ups of artists playing whatever whenever, thankfully the Desolat crew know how do their job and they do it bloody well. He supplied us with a fine selection of downtempo tech-house and raw, gutsy deep house, never picking up the pace too fast. Subtle fades, long breaks and extended mixes helped ease the ever growing crowd into his hypnotic march. It was a march that was only destined for one place; the relentless stomp of Loco Dice by 5am.
When it was time for Martin Buttrich to take centre stage the tempo had quickened and the crowd had thickened but never to the point of being overcrowded. Playing live for 45 minutes he cycled through some of his greatest productions with tracks like his “Around The Bay Remix” provoking amazing reaction. He presented us with a sound much more industrial to Hectors and a handful of techno tracks had even made an appearance before Robert Dietz took over.
Having seen Dietz at this exact venue on Boxing Day 2011 and being a big fan of the Cadenza boys, I knew the onslaught we were in for, doing what he knows best he most certainly did not disappoint. The atmosphere had reached a new high and Dietz now had everybody eating out of his hands, a thrashing of upbeat, balearic influenced tech-house hit the crowd. Looking calm, collected and focused he mixed with finesse whilst the huge drops and unrelenting bass-lines kept the crowd moving. Dietz never plays nice and the music never lets up, there is little resting time when he is performing.
Guti was the last hurdle before the Desolat main man was to take over and like Martin Buttrich he was playing live. I am a huge fan of Guti and in my eyes he can do very little wrong. His productions show real essence of musicality, something that is often lost in electronic music and his live performances are full of energy. As is usual with Guti he pioneered a real Latin infused sound and showcased much of his own music, including tracks “The Other Side Of Hustler”, which I am still awaiting for release since hearing last June. Watching him bound around his array of hardware behind the decks is always inspiring to see and he was responsible for what was the magical moment of the night. The lights were up, everybody had their phones recording and a warm melody partnered with some serene chords captured everybody’s heart, like an excitable child I quickly went to facebook to ask him the track name, he tells me its a new track off the album!
This meant it was now time for the infamous Loco Dice, the dance floor had started to ever so slightly thin out, leaving a dense crowd of Loco Veterans. Straight from the get go he played a much harder sound. Short breakdowns, fast mixing and heavy use of delay, reverb and echo, this is the Loco Dice trademark. It is obvious once you go and see Dice play why he is revered as one of the greatest DJ’s on the planet. Accompanied by some extravagant visuals, the production of his set came into its own, mind bending shapes and images spiralled around the backdrop of Dice, leaving on-line an outline of him jolting behind the decks to be seen. Armed with his Desolat vinyls he played much of the 5 Years Desolat album with tracks like Shlomi Aber’s “Mancha” but also some new favourites like Pirupa’s “Bam” (out on 08 April) and Stop Files “Cichito”.
Desolat have once again shown they can throw an exquisite party, my only criticism is that I would love to see more of Guti and Buttirch Live, unfortunately there are just not enough hours in a night. Electric Brixton also did a sublime job, it was an event that could of easily been oversold and run risk of being ruined, thankfully this didn’t happen. Everything about the people we met, the music we heard and the service provided was top notch. To both Electric Brixton and Desolat… I look forward to hopefully seeing you again soon.
Lock N Load are renowned for the events that they organise, from John Digweed’s Bedrock nights to Clapham’s South West Four. This time they present London with an impressive night that has received such an overwhealming response that it’s not to be missed, as they team up with Loco Dice for the Loco Dice Weekend. Taking place across the Easter weekend, Loco Dice brings to London his distinctive, self-composed sound, for two of the most anticipated club shows of 2013.
After selling out his scheduled Easter Sunday date in just one week, Loco Dice has responded to the phenomenal demand by adding a second night at Brixton’s beautifully converted 1930′s cinema, Electric. The Desolat co-founder will demonstrate why he remains one of electronic music’s most influential and inspiring figures, as he is joined by a hand-picked selection of the world’s most prolific DJ talent.
On Easter Saturday 30 March Loco Dice will be joined in the main room by Guti [Live], Robert Dietz and Hector, whilst Random hosts room 2. By fusing curious, ironic and creative ideas with electronic music, Guti has quickly become one of the most interesting producers to emerge from Latin America in recent years. Following his partnership with the Desolat family, Guti’s live show has leapt from strength to strength, forcing its way into the world’s leading clubs. His Electric debut will be a showcase of pure musical brilliance and a unique opportunity to witness the deep musical understanding between himself and his Desolat cohorts.
Having released outstanding productions for the likes of Desolat, Cadenza, Cecille, Deep Vibes and Running Back, Robert Dietz is recognised as one of the most in-demand DJs in deep house and techno. Dietz’s sound captures the celebratory spirit of old-fashioned club music, joining it with sleek, 21st century vibes. His addition to the Loco Dice weekender will be met with huge acclaim, as he showcases his versatility and deep knowledge of the finest underground sounds.
From London to Berlin to Ibiza, Hector has rapidly established himself as one of the most exciting young producers on the planet, effortlessly experimenting with the founding spirit of house. Fully focused on the dance floor’s needs and desires, his sets are full of energy, precision and soul. With standout performances at Fabric, Watergate, Cirque Paradis and Desolat showcases across the planet, Hector completes this line-up of raw underground talent.
Guerilla Sounds has one pair of tickets to give away to a lucky winner and their friend to experience this rare sellout event. To be in with a chance of winning these tickets, simply click here to go to the relevant artwork on our facebook page and leave a comment with the answer to the following question: - - Who did Loco Dice start the Desolat label with?
All comments / answers must be made by 15:00 (GMT) on Friday 15 March, when the winner will be announced.
LOCO DICE WEEKENDER
Electric Brixton, London
23:00 – 08:00
Marking the Five Year Anniversary of the label, the 2×12″ sampler is set for release in February 2013, and features exclusive new tracks from artists in the Desolat Family; Loco Dice, Shlomi Aber, Yaya, Horatio, tINI, Hector, Lucero en Vivo and Alexkid. Because this is a milestone anniversary, the release also sees Loco Dice supply a mix packed with the brand new productions from the 2×12″, plus a few special extras.
Loco Dice starts us off with “Lolopopinho”, a real fast paced track, which gets the heart pulses up a notch or two. The mesmerism interchanging of beats dances perfectly with the deep line bass. The subtitle breaks in pace is also a highlight, adding depth to a dance tune which has been well thought out. A real thoroughbred.
Shlomi Aber’s “Mancha” begins with a floor beater of bass that builds to the forefront in the opening minute giving a sensation that a great energy is coming closer from afar. This introduces male vocals, which are muffled. The beat from Sholomi Aber is very much bass oriented with flickers of drum percussion, whilst Yaya‘s “Our Connection” uses male French vocals to sex up a slow and driving synth, it struggles to carry the energy from the previous tracks, but makes up for it with a very infectious bouncing rhythm.
tINI‘s “Room 305″ returns the energy with rasping synths tucked together with soulful vocal samplings. The bass intertwines well with the stripped down sound, while Lucero En Vivo‘s “La France” bustles with everything that is French. Shouting female voices give rise to a samba drum beat that tussles and bustles. Drum percussions are later added to give depth. In contrast Alexkid‘s “Enty” is a softer, silkier sound; a little atmospheric gem that mixes gradual synths with a low and cutting beat. The bass cuts in gradually, and the cutting beat grows louder. This is a track that shouldn’t be overlooked.
Stripped-back Minimal Tech with plenty of pace and groove…
First up is “Auxotox”, which models itself on rhythmic minimal tech riding on the bounce of the bass. Loco Dice makes slight variations to sounds that enter and exit throughout the track adding to the general lift, eventually building to the introduction of a piano stab. He’s definitely got rhythm and pace jammed into this gem. Keeping to Loco Dice’s ability to create those stripped back minimal tech tunes that are perfect for the dance-floor, “Detox” is no exception. Modeled on the same principals as “Auxotox” this one swing to the groove of the bass, as well as vocal cuts and soulful stabs. A saxophone is blended into the mix to jazz things up.
Loco Dice takes things more techno with “Neurotox”, with its straight forward yet organic low sub bass steadily contracting underneath everything else. “Neurotox” doesn’t seem to go anywhere special, yet once it reaches the breakdown where the beat is faded out to then be placed quietly in a low filter, gradually rising up to a brief pause and then the whole track is dropped back in. Its at this point that you realise the the full magic of the track. Its another one of those solid grooves that will undeniably have the dance-floor shaping up. “Retox” goes very minimal and abstract, a simple stripped back minimal beat yet a well crafted background percussion sounds play to no particular pattern, just casual hits here and there. What makes this track intriguing is the use of some very interesting sounds and strange vocals. But it’s the Latino guitar during the breakdown that creates an eerie feeling of pleasure.
Love Family Park hails one of the finest festival atmospheres…
On paper, Love Family Park boasted a respectable line-up with Sven Väth (7hr Set), Ricardo Villalobos & Luciano (b2b), Loco Dice, Matthias Tanzmann, Marco Carola, Mathias Kaden & Daniel Stefanik (b2b), Karotte, Robert Dietz, Kollektiv Turmstrasse (Live), Dominik Eulberg, Sascha Dive, Guillaume & The Coutu Dumonts (Live), Zip, tINI and Frivolous (Live). But the amazing thing about this festival isn’t just the line-up of DJs, its also all the other components that go into creating a festival. There are three basic categories involved in creating any decent festival, which are obviously made up of separate components; Organisation, Atmosphere, Music…
Organisation was impeccable!
Starting with the queuing for entry, which was pretty jam packed, surprisingly passed in reasonable time considering they were body checking everyone and all bags were being searched. Upon entry, it was surprising to see a kind of cloak room hut for larger items such as Video Cameras, Mini Stereos and all kinds of other bits and pieces.
Germany seems to have a great recycling and litter reducing technique, where all empty plastic and glass bottles that are handed over to a deposit point, warrant a small cash back. It’s only a few cents, but it’s a system that works for more than one reason. It’s also a system that is used at the Love Family Park festival in conjunction with a token system for all purchases within the park. The are plenty of kiosks or huts around where plastic tokens can be purchased and used for buying drink or food. Upon your first purchase, you are charged a one token deposit for the plastic cup and given a voucher, which means you have to return the plastic cup when you buy another drink or return the plastic cup and the voucher in order to get your token back. And if you seem to have vouchers left over by the end of the day, you can always refund for your cash. You should see how remarkably clean the festival is compared to most!
Another great piece of organisation, was the bars themselves, with plenty scattered around the park and a massive rectangular bar situated under the motorway. Getting yourself a drink requires no more than a couple of minutes.
Atmosphere was perfect!
The train from Frankfurt out to Hanau was full of Love Family Park people, all drinking, enjoying, nothing too rowdy. And the same goes for the 5min walk from the station down to the Park, with everyone drink, mainly beer or Jaegermeister, some people dressed in some really creative ways, and many people mingling with others. Approaching the Park itself, there are plenty of stands selling beer of the street with music to get people in the mood. And this atmosphere is amplified once you actually enter the Love Family Park, with people who really love the music and are there just to enjoy it and mingle with other people. definitely reinforcing the name of the name of the festival.
Music was on form to battle that of most festivals!
First of all, the sound system was quite impressive, especially for the main stage and in the way every stage was laid out, you could actually walk either round the sides of the stage or even round the back. Something which holds advantages as you can easily slip into the sides of the crowd in linear with the stage or even stand away from the sides of the crowd and still feel the impact of the sound system.
In terms of the actually quality of music, Matthias Tanzmann and Loco Dice done remarkable jobs of getting things rocking and the crowd moving. Ricardo Villalobos & Luciano on the other failed to impress as they followed up from Loco Dice’s last record, which literally had the whole crowd grooving away. The couple seemed to be going one record each and Villalobos’ opener was too monotonous and boring to follow on from what Loco Dice had left behind. It may have been the case that they got things back up to speed shortly after, but at the sight of seeing plenty of people walking away and the fact that Sven Väth had already been rocking the main stage for 4hrs, we moved back over to the main stage after the first three records of Villalobos & Luciano.
This was probably the best decision made, as Sven just annihilated the crowd with one great record after another, knowing exactly how to work the crowd with some unexpected, yet seamless transition in the music. Dropping the likes of Matthew Dear – “Little People (Black City) (Sascha Dive Remix)” and Maetrik – “Crush On Me”.
Normally, DJs that get on the microphone can end up destroying a great set in a devastating way, but somehow Sven’s way off reaching for the microphone and saying a few words at the end of the festival as he closed his set, adding a little grace to the whole event. The DJ legend thanked the crowd and emphasised that without those people the festival would be that which it is. Also that he’s been DJing for 30 years and he’s not stopping because of his love for the music…
A festival that promises to deliver what a festival should on all levels!
Sven Väth’s all day festival returns for yet another year, with yet another great line-up…
Love Family Park returns for its 16th year to Mainwiesen, Hanau, Germany and its a return that is sure to deliver. Over the years, this all day festival has be growing with unprecedented success, not only from the growing number of ravers that attend every year, which has added to its international profile and the number of people traveling from far and wide to soak up the atmosphere, but also in the number of stages and the impressiveness of the line-up. Engineering, visually and sound-wise, as well as organization have expanded in equal measure. Some artists have been there from the word go; many others have joined since then. 2001 saw the introduction of a new floor, which was first placed on a tennis court. In 2005, the third floor was erected, to meet the needs and expectations of artists and visitors alike.
Their site is still being updated from last year, but confirmed information goes as far as location, line-up and early bird tickets, which is all you really need to know.
Mathias Kaden & Daniel Stefanik (b2b)
Guillaume & The Coutu Dumonts (live)
Kollektiv Turmstrasse (live)
As Nature or Nurture undertake final preparations for their guaranteed to be an energy filled 2nd Birthday at London’s Fabric, they have kindly put out a mix which is tantalisingly teasing.
The mix starts off magically smooth with Loco Dice’s ‘Menina Brasileira’ gently helping you to float to the surface of something which will undoubtably be driving directly to a deep place. The Pushamann blends this magical start into Niner’s ‘My Friends Don’t Understand (Russell Ventilla Remix)’, which just seems to work like bread and butter. That deep steady paced bass just pulsating through the mix.
15 minutes into the mix you can feel The Pushamann gently pushing the mix to up a level with some brighter tones, but just as he does he drops it back down to level deep. The mix as a whole is a fine blend of deeply pulsating sounds and elements of soul coming from Spencer Parker’s version ‘Yes I Need You’ by Kid Culture and Thomas Robson. but it has to be said that the highlight of this mix is ‘Vibe Your Love’ on Crosstown Rebels by Maceo Plex. Pure class!
After a successful 2 years of raucous Nature or Nurture parties, they have put into motion the launch of their label and to launch it in style they are giving away a free download of their first EP. A great gesture by Nature or Nurture as the EP boasts four quality tracks by The Pushamann, S_M Music, Russo and Santos Resiak. ‘I Love You’ by The Pushamann would be the perfect way to start a set, teasing with a deep flexing bass layered with soulful vocals and organs before the bass stretches out and the track picks up pace.
Russo seems to push even further on the deepness with ‘Lot 28 Dub Version’ playing out as a minimal soulful track layered with both male and female vocals, this would be the ideal follow-up to The Pushamann’s ‘I Love You’.
Santos Resiak introduces a funky swinging groove to carry the soulful uplifting elements of this refreshing piece of work. ‘Jectile’ by S_M Music is an intriguing fusion of what seems like Dubstep/Broken-step meets Minimal Tech-House.
In addition to all of this Nature or Nurture material ahead of their 2nd Birthday at Fabric, Santos Resiak has also provided an exclusive Fabric mix ahead of his appearance this Saturday for Nature or Nurture. His 30min mix is a prime example of the rhythmic energy and groove you are likely to experience on Saturday night. Starting off with pulsating stabs and a funky vibe Santos Resiak doesn’t hold back with his quirky style of funky, soulful Tech-House.
01. Lil Louie – Bring Back that feeling (acapella) (The Pushamann Vocal Treat Edit) /// Unreleased
02. Loco Dice – Menina Brasileira (Original Mix) /// Ovum Recordings
03. Niner- My Friends Don’t Understand (Russell Ventilla Remix) /// Scenic-Tones
04. Cisco Cisco - If You Dont Want Me (Jay Shepheard Remix) /// Apersonal Music
05. James Teej - Night Time Story (Original Mix) /// Composite Rrecords
06. Axel Boman – Purple Drank (Original Mix) /// Pampa Germany
07. Maceo Plex – Vibe Your Love (Original Mix) /// Crosstown Rebels
08. David August – Beace of Conscience (Original Mix) /// Diynamic
09. Niner - My Friends Don’t Understand (Moodymanc’s Old’s Cool Mix) /// Scenic-Tones
10. Kid Culture, Thomas Robson – Yes I Need You (Spencer Parker’s A Gun For Hire Remix) /// Suara
11. Russo – Lot 28 (Dub Version) /// Unreleased
Nearly 2 years in the running and Bedlam just seems to be going from strength to strength….
Over the course of nearly 2 years since the creation of the profound Maidstone (Kent) underground night Bedlam [Kent], it seems that Tim Green & Co are determined to make their mark on the scene as they reach new heights.
Bedlam, being the night of fast rising UK talent, DJ/Producer Tim Green. Tim Green being the man behind great tracks like “Old Sunshine”, who has seen both his name and production work on outstanding labels such as Get Physical, Dirtybird and Cocoon. And the Co being the dedicated people [Forward Thinking Music Management] behind the organisation of the night, helping both Tim Green and Bedlam to reach new heights.
From day one hosting the likes of M.A.N.D.Y., Martin Buttrich, Audio Fly, Lee Burridge, Matthias Tanzmann, Emerson Todd and 2000 And One, Bedlam has been smashing places like Maidstone hot spot, The Loft, some old abandoned cinema and now the historic Chatham monument, The Tunnel. And Bedlam seems to be focusing on those venues that are just dripping with pure underground vibe, which seems to be another key to its success along with the countless talent of DJs they are drafting in!
And with The Tunnel being the prime location we made sure we were at the Bedlam 1st Birthday almost 1 year ago. Where we soaked up the energy of Tim Green banging out his very own “Old Sunshine” and Matthias Tanzmann building the crowd with Yousef’s “Come Home”. We can honestly say that Bedlam @ The Tunnel is a truly momentous night indeed. Which is why Bedlam at The Tunnel returns once again this weekend [29 Jan] to host rising Italian house star Leon and very special guest Cassy. And of course resident Tim Green!
Cassy, well-known for playing DC10, Cocoon (Ibiza), Panorama Bar and Fabric, is undoubtably one of the best DJs on the scene. With her music being released on Souvenir, Cocoon and the almighty German giant Perlon Records, not to mention her mix CDs for Panorama Bar and Cocoon, she has gained huge respect in the underground scene. Her unique style and party vibe earning her back2back sessions with Ricardo Villalobos as she focuses on weaving deep and dark house music, twisted techno along with skill and finesse. There’s no doubt about how things are going to turn out for Bedlam!
Leon returns to Bedlam after having played an impressive set at the beginning of 2010 alongside M.A.N.D.Y. Having releases out on Nick Curly’s Cecille Records and Steve Lawler’s VIVa MUSiC, his talents have been gaining recognition from world-class DJs as Pete Tong, Ricardo Villalobos, Carl Cox, Luciano, Laurent Garnier, Loco Dice, M.A.N.D.Y., Tiefschwarz, Matthias Tanzmann, Nic Fanciulli, Danny Howells and Marco Carola. Adding to that, an extensive 17 date tour of the USA and Canada along with constant dates in Italy, UK, Germany, Holland, Russia and Spain, it’s not hard to see why Bedlam has got Leon back behind the console.
Which brings us back to the point of success. Because it’s not just the countless number of exceptional DJs that give the feeling of climbing success, it’s also with the added expansion and launch of Bedlam London. An act of proof that Tim Green & Co not only have the credentials but also the vision – “determined to make their mark on the scene”.
Bedlam London, set for a secret East London venue on the 19th March, boasts the presence of the Cadenza star known for the hit release “Elle” and collaboration with Cadenza co-star Cesar Merveille, Columbian born Pablo Cahn along with Crosstown Rebels duo, Art Department. – One word – Sick!
All we can conclude is that London may be a bigger pond but with Bedlam’s track record and reputation, it was inevitable that it would start to out-grow its current location and search for a larger environment, which will simple fuel its success.